A golden oldie from my favourite pair of sisters, this is from their folkier days. Despite it having a little less bite, I love the dreamy quality of it; it reminds me a little of Sarah McLachlan's "Adia".
Taking the mindblowing PJ Harvey song, this cover takes pretty much identical background music but with completely different (and yet, very nice) vocals.
I should disdain Shaved Head just for their bizarre pop culture dependant name, but after listening to this roguishly charming and noisy dance pop song, I've become rather fond of it. Yay heavy dance beats, manic excitement and taunting-slash-begging lyrics directed to a love interest's parents!
I could have sworn I had already shared this utterly excellent live version of an old favourite, from a live CD picked up at a local Used CD rack, but a quick check tells me I'm wrong. Time to correct that mistake!
There's something in this dark, moody track that really excites. Perhaps its the interesting lyricism, or the low, powerful vocals. Maybe it's the tense atmosphere it creates, or the fact that very little else I listen to sounds quite like Emilie Autumn. Maybe it's just plain awesome.
A melancholy, piano-led song about a girl who is disappearing into "a prison behind her eyes" while Amos watches, in the midst of a war pitting "woman against feminist". Its lyrics are enigmatic and intriguing, Amos' vocals are wonderful, the music pulls you in and drags you upwards. I'm still puzzling out the song's meaning, but its a beautiful piece of work regardless, and the best off her latest album.
Dragonette is at their best when they take a character I should have no interest in and draw me in, and this is exactly what they do here. While not being very slow, this song does have a strange softness to it, and it does express the idea that though this couple 'get a little crazy with the razor blades', they do love each other. This paradox, being able to draw you into the story of such an alien figure, and just the quality of the song that matches or beats the rest on Galore makes this a winner.
Andrew Bird at his best here. The song opens with his haunting whistling, like a bird call through am eerie mist. Bird's voice appears then, soaring through this mist with visuals of a mysterious girl with golden curls and morbid thoughts. The song is completely mysterious, but it resonates through your bones and through your body. Wonderful, and a tragic cut from Apocrypha. After this and the gems on the Soldier On EP, I would love to get my hands on any other Bird b-sides.
One of the best newcomers to come out of 2007, battling with the now-defunct Die Romantik for the title, this was a wonderful look at the potential of this band. The multiple vocalists gives it a wonderfully ghostly feeling, which works magnificently considering the fuzzy state the song is describing. The lyrics are quite interesting, with a great core theme in 'sleepdriving' that gives you the sense of needing only to escape, without any real consciousness, just instinct. The highlight is the voices, which just resonate in your chest, almost painfully beautiful.
Surprisingly, Beirut's best song this year wasn't on their much lauded new album The Flying Club Cup, but on their fantastic Lon Gisland EP. The epic nature of the band behind the music, with Zach Condon's excellent voice stirring into the mix, makes for a truly inspiring song. This feels wonderful, and that's the only way to describe it. It takes you and throws you into the sky, and you can't tell whether you're flying or falling.
A hauntingly beautiful foggy piano-based song about the circle of life, centring specifically around a pregnant woman whose soldier husband dies and leaves her alone with a child on the way. I showcased this track when I discovered it, and it's still outstanding, filling you up with ghostly vocals until you're ready to burst. Natalie Walker has one of the best voices I''ve heard.
Another former track showcase, this song has gone the rounds with remixes galore. A bouncy , angst-filled track about drifting apart, with the protagonist missing the time "when I was so strange and likeable". The lyrics here are excellent, and the music is a highlight, bouncing along. The vocals sometimes sound echoing, fitting the distance this song is about. The Con was a grower, and this one has shown itself to be the album's best.
Since I got it, I've been enchanted with The Pierces' very strong third album, and by far this was the most impressive track. A haunting, calm song with a preamble about the nature of the soul before it descends into a song about desire that, along with presenting a number of wonderful options for the wish taker, hints to the terrible potential of the scorned.
My favourite discovery of 2007, Die Romantik had an amazing, macabre sound that worked to their extreme advantage. The strained, yet immensely wonderful vocals of , combined with their particular spine-tingling sound, made their work always exemplary. The band broke up in the early days of 2008, which is especially a same considering this utter gem of a song left behind. Not buying Narcissist's Waltz in time for it to rank amongst 2007's Top 10 Albums post was a massive shame.
Soaring and nonsensical, with his voice and whistling at their glorious best, "Heretics" is a work of fantastic art, sending shivers down my spine while giving me hours' worth of musing over its mysterious lyrics. The fantastic beats make it Bird's catchiest song yet, and it doesn't surprise me that this is bringing attention to Armchair Apocrypha. Though I will be the first to say Apocrypha isn't 100% the album that The Mysterious Production of Eggs was, "Heretics" is definitely in the running against "A Nervous Tic Motion of the Head to the Left" for my favourite of Bird's tracks. Excellent, excellent song that gets better every listen.
If you enjoy these songs, I strongly urge you to considerbuyingtheiralbums, because these are some of the best songs I've ever heard. If 2008 has a haul half as strong as 2007's, then it will be an excellent, excellent year.
Almost 2 months late, but we're finally getting to the gold at the end of the rainbow. This is where you'll begin finding the songs I expect to be listening to for years to come. This is were repetition starts to come in, as the truly exceptional albums all have 5-6 songs that deserve charting high. You'll see The pierces, Dragonette and Arcade Fire duplicate within this entry alone! But let that not sway you, as they are all utterly soulbreaking songs.
An eery, creepy and greatly fun song as the girls take on the guise of witches as they tease a fearful, and have much too much fun doing it. Whether they're actual witches or just pretending to be for the sake of a prank, it's still excellent. The girls' unique harmony works especially well here, giving it a bizarre mystic feel.
A rousing anti-war song, Park shows his cool rage and disappointment toward anyone 'thinking there's peace at the end of a gun'. He looks on soldiers and revolutionaries both as pawns in the war between leaders to scared to do anything themselves. Park's voice here is tight, pain-filled but determined to make a change, much like his song.
While Beirut is often beautiful, finding connections with their music is often hit or miss for me. However, "Cliquot" is one of the best exceptions I could find, wrapping itself in my soul and tugging it high into the sky. The vocals are stricken, with the rhythms behind it recalling a time long, long ago as it tells the story of a dying man and his love living on without him. Truly epic and gorgeous.
This song can be summed up in one word: exciting. Everything within me seems to race forward listening to it, and I'm grinning the entire way. It's just a song that makes you happy, even if the lyrics don't hint to much joy in the situation. Produced differently, this song could've been far too heavy, but the tack Arcade Fire have taken with it here makes it one of the most enjoyable tracks on the album.
Of all the songs on Dragonette's shamelessly sexy album, this might be the most interesting, coming from the typical Dragonette protagonist with a twist - she's been 'saved', though with love instead of religion. A former bad girl with a string of one-time beaus, she's almost ashamed to be involved in an actual relationship, and you can see that she's loving it despite feeling as if she's losing something in the deal. In a quieter part, she even admits insecurity, wondering if she's just "the new girl curled round your finger", then soon after yells, "It's you who's done this thing to me; I used to be so bad!". There's a lot of complexity here, much more than the typical Dragonette song, and I love it.
The most overtly-threatening song of the bunch, this is a song about the dangers of entrusting your deepest secrets to anyone else, throwing out the tagline, "Two can keep a secret if one of them is dead". The two have made a darkly beautiful song, and when the spoken dialogue comes in the middle, it seems like a natural part in the song that leads into its climax perfectly.
I'm definitely no fan of Marylin Manson. While I recognise the skill with which he constructs his songs, his style is my antithesis. That said, taking the angelic vocals of Scala and applying them to this vicious attack on capitalism is a brilliant move, as they bring a new dimension to the song with the choral, female tone. It sends shivers down your spine, to hear this coming from a group such as Scala.
A truly epic song, showcasing church-style organs to skyrocket the song into the stratosphere while vocalist Win Butler tells a story of poverty and family in his distinctive way. It's soaring, pulling you in and dragging you up and throwing you into a free fall toward the sky. The pain and desperation in Butler's voice is compelling, and this is a song that practically hurts to listen to. And yet, every time, I feel the need to charge the volume so high I'll be deaf by 25. Best lyrics: "Singing hallelujah with the fear in your heart."
A new take on Calvin Harris' 'The Girls', this song reverses the gender role and, even better, rearranges some parts. For example, the segue from the first part to the second always amuses me. This is the perfect song for Dragonette to take on, actually, as is follows the themes of joyful promiscuity from Galore while also being a fun counterpoint to Harris' version.
If exciting summed up 'Keep the Car Running', then 'fun' sums up this one. I love the message not to underestimate the underdog, because they always do spoil your plans. This tearing down of the self-superior and stuck up is great for the everyman who has to live in this world, getting stepped on in turn by all those above him. A song that will not be forgotten. "You've got no fear of the underdog; that's why you will not survive." Hell yeah.
If you enjoy these songs, I really think you should checkouttheiralbums! If a song's up this high, the album they're on is probably pretty damn exceptional.
Getting into some real gems here, with heavy hitters like Andrew Bird, Dragonette and The Pierces starting to surface. The lower ranks were pretty light of them, but that's mostly because they found themselves in a lot of higher spots. I considered limiting things to 1 per album, but then I realised this way was just plain more honest. Also, I've started including music videos where appropriate (athough I'm holding one back as I've already written a Music Video Showcase to post at a later date for it).
Anyhow, onto the list...
40. Andrew Bird - Imitosis (Sendspace link) Album: Armchair Apocrypha
A song I only really discovered after falling for the remix, this is a wonderful song about the mysteries of science. Andrew Bird shows off his intelligent lyricism here, telling stories of cells, mitosis and bunsen burners, all words one might have found in a science clasroom instead of one's iPod. That said, the music is far from neglected here - in fact, the Marriott Hotel chain used just instrumental pieces from this song (and others from Bird's repertoire) for their commercials. You fall in love with the music, which I have trouble properly describing in words, and begin to pay attention to the lyrics. That's when he gets you.
39. Straylight Run - This is the End (Sendspace link) Album: The Needles the Space
A quiet, lullaby-like song that opens with glittering sounds and soft vocals from female vocalist Michelle DaRosa, and continues in this quiet, calming tone with other voices joining in occasionally, for the chorus mostly. It's a quite simple song, but also quite beautiful. I've heard that the band only recently started giving DaRosa lead vocal spots, and I'm of the opinion that might be the band's best move. While male vocalist John Nolan isn't bad, DaRosa has a gorgeous voice, and his works best when supporting hers. Tracks like this highlight that fact magnificently.
One of the first Dragonette tracks that caught my attention, this song features lead vocalist Martina Sorbara taking on the guise of a mistress and, of course, loving it. Just like in songs like Take It Like a Man, she's the one with the confidence, playfully telling her beau to 'try not to blush'. She loves, not the man or being with him, but merely the danger and excitement the situation affords her. Sorbara's significant other here barely factors into the equation at all, and that's the way we like it.
37. The Pierces - Boring (Sendspace link) Album: Thirteen Tales of Love and Revenge
Where the previous song was about joy from a taboo, this is all about the ennui that comes from the excess of it. A song that perfectly ties into our age of celebrity and starlet fever, this needles the Paris Hiltons of the world. When you can have everything, there's nothing left to excite you. This really is the ultimate 'be careful what you wish for' song. Not only this, but the way its sung, with the utter apathy extending even to the climax where even their life dreams, once realised, have become 'boring'. And yet, the music and the style of the singing keep it from being boring itself.
36. Sophie Ellis-Bextor - Me and My Imagination (Sendspace link) Album: Trip the Light Fantastic
Sophie Ellis-Bextor knows how to make you dance, whether in a club or in your chair, and this, Trip the Light Fantastic's second single, is no different. A song about leaving an element of mystery in order to keep a relationship fun, it draws on the feeling of the 'thrill of the chase', something well translated in the music. This makes my feet tap like crazy every time I give it a listen.
35. Mika - Grace Kelly (Sendspace link) Album: Life in Cartoon Motion
This song is apparently born out of Mika's frustrations with labels' attempts to pigeonhole him into this or that sound, ironic considering some of the criticisms levelled against him for being too 'cookie cutter pop'. However, I am not one of those critics, as I thoroughly enjoy a good listen to Mika, and this is the song that pulled me in (while waiting to watch Spiderman 3 in theatres - the power of advertising!). It's delightfully bouncy and loud in all the right places, and easily applied to the common relationship issue of changing one's partner to suit one's own needs as easily as Mika's original meaning. It's a great song for walking, and (if I don't have a headache) can usually make me grin.
One of my biggest 2007 regrets is not buying the total Die Romantik debut album (of which this is the titular song), as every song from it is excellent. This follows the waltz beat, with the usual great vocals and intriguing sound. It makes me think of waltzing in a pitch dark ballroom, every dancer so well practised that they never, ever touch. Chills down my spine every time.
33. The Pierces - Lights On (Sendspace link) Album: Thirteen Tales of Love and Revenge
When I describe The Pierces as 'wicked', this is one of the songs that I'm thinking about. Shameless, the protagonist is seductive and dangerous, capturing the hearts of men with a wink. My cousin Marelly compares their voices here to Gwen Stefani and sometimes it does sound like Gwen at her best. The song is so sexy, and yet oddly hilarious as well. Perfect partner to any Dragonette track.
32. Remi Nicole - Rock'n Roll (Sendspace link) Album: My Conscience & I
I have a lot of tenderness in my heart for Remi Nicole, a young black singer who fought attempts to 'r'n'b'-ize her or pigeonhole her into hiphop. While many of her lyrics show potential for growth, this song is one of her delightful best, detailing her attempts to just be herself in a music scene that doesn't want her if she doesn't rap. She's just so damn cute, and I'll forgive a lot for the pure enjoyment I get outta this track. Even if, to me, she sounds a little more like pop than rock. Who cares as long as it's good?
I found this gem via the gallant Zeon's blog (on the sidebar). At first, I wasn't sure, but then I fell hard for this song. The ethereal 'ah aaaah' in the background early on, the downbeat disco beat, and Paris' beautiful vocals translating her beautiful sadness from word to song. The lyrics are also very nice, with the lead line, "Don't say you love me, for a start, or you will be a boy with a broken heart." Like the above Narcissist's Waltz, I can practically see this song in my head, and it breaks my heart every time.
All of these have been on my 'can't stop playing' list at one point or another, excepting Narcissist's Waltz, which had to wait until I fell in love with two other Die Romantik songs to get noticed. If you enjoy these songs, I urge you to checkouttheiralbums!
And we're on the cusp of the latter half of the best of 2007, getting to the juicy stuff...
60. Arcade Fire - My Body is a Cage (Sendspace link) Album: Neon Bible
A quiet, mournful song with the organ, quickly becoming an Arcade Fire trademark, playing in the background. The song grows in intensity gradually, finally blasting to life in the last half of the song. The best work here, though, is the lyrics, pathetic, mournful and intriguing, describing the inability to dance with 'the one I love' with the titular metaphor. Metaphors actually get some nice airtime here, making up the bulk of the lyrics of the song.
59. Mika - Relax, Take It Easy (Sendspace link) Album: Life in Cartoon Motion
Mika's first single before 'Grace Kelly' exploded, it's more low-tune and often more palatable than his more colourful fare. The sound is quite interesting, layers of low beats behind the tale of fear and paranoia set out in the lyrics. Mika's on vocal good form here, instead of the sometimes-grating effect his other songs have. Even with this darker song, there's a great beat under the song that allows you to move to it.
The best of the same-titled album, this song about the mechanics of love has very interesting lyrics. Murphy doesn't shrink from using larger words. In fact, considering the purpose of this song (science's attempts to explain the concept of love) they fit in perfectly, and it's an interesting lyrical choice. Beyond that, though, it's a well-crafted song with a great beat to it.
57. Rilo Kiley - Close Call (Sendspace link) Album: Under the Blacklight
Under the Blacklight was a disappointment. I can only preface this with mentioning that, as Rilo Kiley should be taking up multiple spots in my top 10, instead not even making it inside the top 50. It's not the most disappointing - I love Nellie McKay more, and Obligatory Villagers didn't even get one in the top 100. That said, this song, about the dangers of 'money for sex', isn't bad. Lyrics are enjoyable, and Jenny Lewis can rarely do wrong by me.
56. White Rabbits - While We Go Dancing (Sendspace link) Album: Fort Nightly
Great beat, which belongs to a song about dancing. The lyrics translate the joy of dancing quite well, telling about dancing the night away instead of sleeping through it. Vocals are great, ranging from contempt for the one staying home showing clearly to enjoyment of the act. Because, it clearly asks, who would want to pass on having such a good time?
55. Sia - Buttons (Sendspace link) Album: 'Buttons' single
I love Sia. Sadly, her album 'Some People Have Real Problems' didn't come out until 2008, but happily this single was released within the confines of 2007. It's a song about paranoia and being a little crazy, and while not Sia's best it's still damn catchy and her voice is still great.
54. Remi Nicole - Dates From Hell (Sendspace link) Album: My Conscience & I
A favourite of mine from Lily Allen's 'Alright, Still' album last year was 'Knock'em Out', a song about avoiding being hit on by sleazebags. I've been theorising that Remi Nicole is like Allen's less spiteful but just as spunky cousin, and this is as close to a comparison as one can get. Nicole's song is less nasty and more of a lament for the state of men and dating, but it's just as charming, and that's all it needs.
53. Patrick Park - Life is a Song (Sendspace link) Album: Everyone's in Everyone
The legendary OC-ender, Patrick Park's 'Life is a Song' is a nice tribute to life in general. While tearing down hypocrites who preach heaven and fear death, it reminds us that life is good, and death is inevitable, and that that's okay. Fear is the enemy here, as Park tells us to live in the moment instead of constantly attempting to live a risk-free existence that can't last forever anyway.
52. The Pierces - Ruin (Sendspace link) Album: Thirteen Tales of love and Revenge
Hell hath no fury like a woman scorned, and while The Pierces' protagonist here shows an icy demeanour, her rage is evident in the lyrics, claiming that 'all I want is for you to come to ruin'. She doesn't cry to herself, instead wishing evil upon the one who has wronged her, and doing so beautifully.
A subtle anti-war song, focusing on long-lost empires that self-destructed under their own weight while dropping in brief mentions like 'Haliburton attache cases' that hint where his real message is directed. Regardless of that, this is a wonderfully-crafted song, building and building subtly throughout, gaining in momentum all throughout the song without building to a significant explosion. Not 'Apocrypha's best, but close, and it was a heartbreaker to drop it from the Top 50 in the end.
So, that's another set down as we approach the larger numbers... Remember, though, all of these songs are damn good. There's plenty of songs that didn't even make it into the top 100! :) That said, though, with the next set we enter the big leagues!
I'm not a huge one for music videos, but occasionally there are some damn good ones. Case in point, Kate Havnevik's video for "Unlike Me". Gorgeous cinematography here.
Neat, huh? And check this next one out, for one that actually tells a neat story that fits with the song, a trait I've found saddeningly lacking in music videos.Unfortunately, music videos are 90% of the time completely unrelated to the song they're made for. Anyway...
As the new year begins, I figure it's the best time to reflect on last year's best of the crop. I know undoubtedly this list is not perfect even in my opinion; there are a number of albums I have yet to break in properly, one of which I know almost for certain would land a Top 10 spot. That said, after weeks of preparing for this list, while watching others add theirs to the pile in December, here it is (tentatively): My top 10 albums of 2007.
A stunning debut album from gorgeous singer Alison Sudol, whose voice immediately captured me in "Rangers". After hearing it, I needed her album in a way I've needed few before it, and hers was one of the albums I anticipated most this year. While not every song is to the same quality, the music is still beautiful. "The Minnow and the Trout", though it feels oddly like the theme of a Disney movie, hits me in all the right places; and "Almost Lover", the sample track, is one of the most beautiful songs of the year.
This album, from one of my favourite Canadian artists, was indeed a grower as many declared it. Sitting for a long time at #17 on my list, only in recent weeks has it started to grow on me. It's full of good songs - "Soil, Soil", "Floorplan", "I Was Married" - and has one genuine hit in "Back in Your Head", which was the subject of my last Track Showcase. The thing that landed this album the list, however, is that every track is pretty damn listenable, even when you don't want to bother listening to the lyrics.
Number 8: Scala & Kolacny Brothers's "One-Winged Angel" Sample Track: "The Beautiful People" (Sendspace link) Buy link: Amazon, Amazon.ca
This Belgian girl's choir, whose gorgeous contemporary covers I've loved since first hearing them, released an album that included this shockingly impressive cover of Marylin Manson's "The Beautiful People". I'm not a fan of Manson (his style is my antithesis), but I enjoy this cover very much, and it gave me a chance to enjoy some of his incisive lyrics. This album also includes covers of Damien Rice, KT Tunstall and Radiohead, all worth checking out.
An indie darling from the moment of its release, Arcade Fire has been sadly one of my neglected albums. Again, this is only one that rocketed into the top 10 once I started paying any amount of attention to it. "Intervention", the sample track, is just plain epic. "Keep the Car Running", "No Cars Go", "My Body is a Cage", all excellent tracks that make this even better than their debut.
My favourite artist, whose music has become a regular feature on my iPod. Though not nearly as amazing as "The Mysterious Production of Eggs" (which would have grabbed top spot), this album is a worthy successor, with "Heretics", quite possibly one of Andrew Bird's best songs (and definitely the most catchy). As I've shared "Heretics" before, I've included "Imitosis", a darker, gorgeous song I've only recently started listening to thanks to the brilliant remix I've previously posted. While I'd suggest "Eggs" before this any day, I urge you to get this album anyway. It's worthy of being an Andrew Bird album, and I can give no higher praise. Well, except maybe a spot on this list higher than 6, but it's still excellent.
Another great debut following Alison Sudol's, Remi Nicole is very much following in the footsteps of Lily Allen, coming on as maybe her less-bitchy, just-as-funny sister. Tht's not a bad position to be in at all, as 'Conscience' is an excellent album full of songs with intelligent lyrics and generally good music to go with it. "Go Mr. Sunshine" is a great tribute to summer, one that allows for negative aspects that only make it, and the song, more charming; "Dates From Hell" is a shot at those men, probably some of the same assholes encountered by Ms. Allen on her album last year; "Rock'n Roll" is a great look as Nicole herself, while taking a dig at the stereotype of 'black artist = r'n'b or hip hop'. Pretty much every song here is a fun listen.
These guys know how to make a beat. Every song on this album, from best to not-so-best, can at least get me bopping a little in my chair. The sample track, "While We Go Dancing", showcases this: It's got a great beat, without being overtly poppy or cheery. Much of the album follows this vibe, making for a great 41 minutes of listening. Also check out "Navy Wives", probably my favourite 'Rabbits' track.
After discovering Park via The O.C., as many of his listeners must have, I decided to seek out his albums. I found this, his newest album and an accomplishment indeed, holding a scattering of excellent tracks. I've previously shared "Life is a Song" (which most of you probably already had anyway) and "Pawn Song", so the sample is "Sant With a Fever", an interesting song that showcases Park's interesting songwriting.
Eleven songs, all but one are amazingly catchy. The one thing I can say about Dragonette that, despite the sexual subjects of most of their songs, they aren't a band about sex. Well, they are, that's undoubtable - what other band would dare to have songs from the POVs of a prostitute, a mistress and a student seducing a teacher on the same album? - but the true meaning is joy. Joy of life, joy of sex, just utter joy, something no watered-down Britney or Christina will ever properly capture. Every song, despite my normal distaste for 'slutty music', makes me bring, and that's because you can just feel the fun that lead singer Martina's Sorbara's having. This isn't a serious album, and that's exactly why it's endearing.
Number 1: The Pierces' "Thirteen Tales of Love and Revenge"
Thirteen tales from these delightfully devilish sisters, whose harmonizing voices and clever lyrics have captured my heart forever. Their music is haunting, with witchy ("Sticks & Stones"), teasing ("Boy in a Rock and Roll Band"), insanely rich ("boring") and vengeful ("Ruin") protagonists showcased in each and every song. Their dreamiest song, a rumination on the concept of "Three Wishes", is possibly their best. However, one of the stars of their album is "Secret", a song about the dangers of trusting your secrets with anyone, finally hammering it home that, "Two can keep a secret if one of them is dead".
"If we built an armour for our tender bodies, could we love each other? Would we strive to feel?"
How does one describe The Pierces properly? Devilish pop, I'd say is the best term for it, with their voices working as a chorus of two that gives them a sound no other artist out there seems to have. Their lyrics are biting and witty, or alternately beautiful and thought-provoking. These two sisters from Alabama are my MVPs of the music scene in 2007, with their frankly amazing CD, Thirteen Tales of Love and Revenge.
Indeed, the title is an apt one, as most of the songs have elements of both. Love and heartbreak, sadness and anger, they shift and weave so tightly you wonder whether they are different emotions at all. The thirteen songs are, with only one or two exceptions, all not only good but among my favourite songs of the year, if not rising to the eternal heights good music reaches with time.
Thirteen Tales is their third album, but I would actually encourage anyone to start with it. It's their best by a shocking distance, though their previous albums are alright. It's rare that an album where 80% of the songs are near-perfect, so I'm happy they fond their footing with this latest offering.
The Pierces - Three Wishes (Sendspace link) This song is beautiful, with the duo being both chilling and beautiful in a song about what one would do with 'three wishes'. Instead of saccharine wish-fulfilment, this is a warning akin to 'be careful what you wish for'. The preamble sets the tone, asking potent questions about vulnerability, before t plunges into the core of the song. It presents fantastic journeys through air and sea, but teases that the last wish is for 'if your lover ever takes her love away', but refuses to elaborate whether that means regaining her love, getting over her.... or revenge.
The Pierces - Sticks and Stones (Sendspace link) A seductive, creepy song from a pair of witchy femme fatales, with a perfect atmosphere that gets under your skin and makes you wonder whether they are, in fact, witches ready to 'suck your blood', as the poor unsettled fellow and subject of this song is afraid of. Their style works perfectly here, with the otherworldly feel of two voices for one POV working to their favour.
The Pierces - Boring (Sendspace link) A song about living with too much money and adventure, this song pokes a little fun at starlets like Paris Hilton and Lindsay Lohan while spinning a story about the destructive nature of wealth. When you can get anything you want, after all, does anything carry any real allure? Everything soon becomes so commonplace tat even 'the love of [your] life' becomes, as the song says, boring.
I'd continue, but if I did so I'd just go ahead and post the whole album, because every song is excellent (except for the dud Go to Heaven). Plus, I'll need something left to showcase when my Top 10 Albums of 2007 post goes up, which (SPOILER!) these girls will surely be on, if not topping.
Trust me. GetthisCD, or you may regret it. All I can do is endlessly count the days 'til their eventual follow-up.
NOTE: All music provided is purely for preview purposes, and we urge you to download responsibly and buy albums from the artists you like. This project is purely our way of helping spread the word about our favourite artists and, in our small way, help them out the best we can. Hurting their business is the exact opposite of our intentions here.
If an artist has concerns about anything being made available on this blog, feel free to contact us at thebringerofsong@hotmail.com and we'll be happy to take it down.
Alden (The Alden): A 17-year-old Canadian male who initiated the blog, Alden loves music. A lot. Many of his favourite singers and bands use instruments like the piano and violin over the common guitar-based band template, and values vocals and lyrics over instrumentation. Practically worships Andrew Bird.
Marelly (Wendy77): Alden's cousin, who keeps him in line and polices his tastes to make sure he doesn't embarrass himself in the indie hipster scene. Will have her own blurb soon, she promises.
PAST BLOGGERS
Jordan (CitizenofBalance): Joined Alden at tBoS in early January 2008, Jordan's interests cover a very different spectrum to his blogging partner. Prefers to listen to such genres as heavy and progressive metal, doom, psychedelic and underground Hip-Hop. Was last seen on a quest into the heart of psytrance. Exited February 2008.
