Showing posts with label the national. Show all posts
Showing posts with label the national. Show all posts

Sunday, August 31, 2008

DOUBLE TAKE #3: WINE? GOOD.

After a long hiatus for this mini-feature, I had another epiphany. Two songs I like very much, with a swaggering (or perhaps merely drunkenly stumbling) confidence, a twinkle in the eye, and a feeling of true indulgence. The biggest thing, though, has to be the wine...


I'm put together beautifully, big wet bottle in my first, big wet rose in my teeth. I'm a perfect piece of ass, like every Californian, so tall I take over the street, with high beams shining up my back, wingspan unbelieveable. I'm a festival, a parade. And all the wine is all for me.

So summer stains a sky with inky swirls that bring the thunder low. But I don't mind, I'm doing things and doing them with you. And if you're smart you'll put that book back down; you'll drag me to the floor, drag me down for more drinking wine, drinking wine in the afternoon...

Both released by critically acclaimed indie bands with their fair share of rabid fans; both bands with fantastic male vocalists. For The National, this is a moment of fun in their usually contemplative mood, while Franz Ferdinand is no beginner to mischief. Both are great to brighten up an afternoon, and maybe tempt you to crack open a bottle yourself.

Congratulations guys, you've got twins.

The National - All the Wine (from Alligator, 2005)
Franz Ferdinand - Wine in the Afternoon (from Eleanor Put Your Boots On single, 2006)

Search for more at The Hype Machine. Purchase albums or mp3's at Amazon, Amazon Canada, Amie St., cdbaby, or Insound.

Wednesday, July 30, 2008

ROULETTE 21

Here's another batch of excellent songs...

1. Amy Studt - Nice Boys
Album: My Paper Made Men, 2008

I've got conflicted feelings about Ms Amy Studt's new CD. The songs are impeccably produced, but the songs themselves don't always draw me in. This song highlights this exactly: It's an utter joy to listen to, but a song proclaiming the faults of 'nice boys' merely annoys me, maybe because I don't like the idea of promoting, what, mean boys? That said, I can't stop listening to it; the choir chanting, the emotion Studt projects (a couple points are particularly impressive), and just the soaring feeling of it.

2. Shearwater - Seventy Four Seventy Five
Album: Palo Santo, 2006

Heartstopping. The pounding, relentless piano diving in head first with Jonathan Meiburg's amazing vocals, rising in tension until it slams down to a sparse, quiet, rending portion with basically just vocals and subtle instrumentation before briefly slamming back into action. One of my favourite recent discoveries. I recently got their newest, "Rook", and am enjoying it very much.

3. The National - All the Wine
Album: Alligator, 2005

There's a lot a good lead singer can do for a band, and Matt Berninger does a great job for The National. The band is great, but what keeps bringing me back is the vocals, smoky and raspy at the same time. This song is especially great, a stumbling-yet-smooth tribute to being the one with 'all the wine'. The lyrics are hilarious, as Berninger makes his protagonist sound genuinely drunk - that or crazy. From the confident "I'm a perfect piece of ass," to the bizarre "I'm a birthday candle in a circle of black girls," it's an interesting song.

4. Lily Allen - Who'd Have Known
Album: Myspace Release, 2008

A nice little piece produced for her new album, Stuck on the Naughty Step, but we get it unofficially on MySpace because the lovely Lily Allen doesn't like paperwork. Allen's got a great new sound going, vulnerability and sweetness instead of venom. I loved her putdowns, but I also love the heart and soul feel, which shows that her appeal isn't just in her old sweet-attack-mode approach. This song would be spiritual cousin to Still, Alright's "Littlest Things", but this is just sweet and content where that was mournful.

And don't forget, search for more at The Hype Machine; purchase albums or mp3's at Amazon, Amazon Canada, Amie St., cdbaby, or Insound.