Forgive Durden's new album,
Razia's Shadow: A Musical is an interesting creature. Originally envisioned as a side project for lead singer
Thomas Dutton, it became his square focus when the band's three other members left the band suddenly. This rather charming and bizarre experiment is a full-on fantasy musical released solely as an album, with a multitude of strong guest singers and some very nice songwriting.
The story follows events in a fantasy world, chronicling two stories: the creation and division of the world into darkness and light, and the romance that would redeem the world and return it to its former glory. While hitting a number of typical cliches in these types of stories, the lyrical style here is very interesting, with some great work done by Dutton.
The first five tracks follow the creation and the rebellion of Ahrima
(Thomas Dutton) that leads the world into darkness, and features Dutton
,
Casey Crescenzo of
The Dear Hunter,
Lizzie Huffman of
Man in the Blue Van,
Max Bemis of
Say Anything, and
Chris Conley of
Saves the Day. I'm not familiar with any of the guest talent in the first half, but they all do fine work, particularly
Bemis in the role of the dastardly spider Barayas, who precipitates the climax of this portion.
The last eight tracks are devoted to the bigger story, of redemption and love. This one features Dutton again in the lead role, this time as a character named Adakias. This stronger half features
Danny Stevens of
The Audition,
Dan Young of
This Providence,
John Baldwin Gourley of
Portugal. The Man,
Kris Anaya of
An Angle,
Brandon Urie of
Panic at the Disco, Greta Salpeter of
The Hush Sound,
Nic Newsham of
Gatsbys American Dream, and
Shawn Harris of
The Matches. Again, of this half the only contributor I am familiar with is Urie, as I'm a big fan of his band.
It's in this second half where the album really takes off. Dutton's character isn't particularly memorable, considering how much he shares with most fantasy heroes, but luckily the guest cast carry this story well, though I wish all of the more memorable players had gotten more voice time. The plotting anc characterization is weak, and it relies on the singers themselves to infuse their characters with something extra, and many of the contributers do just that.
Brandon Urie as the hero's devilish brother demands the role with relish, adding a swagger and making sure the character wasn't pure caricature;
Shawn Harris' King is very enjoyable as the princess' bastard father;
Greta Salpeter elevates the everyprincess role here with a beautiful voice with a kindness to it that would otherwise be completely lightweight; and
Shawn Harris creates a fantastic voice for the bonkers doctor charged with saving the princess' life as the story moves towards its final climax. Also deserving of praise was
Adam Weiss of
mewithoutyou, whose narration is really the lead voice here, despite Dutton's lead role.
You can tell this was inspired by Moulin Rouge and classic Disney musical movies, as
Dutton mentioned in an interview with Alternative Press. The story and production feel very much inspired, and it adds a real sense of nostalgia to the proceedings. There's something just calming about recognising much of what's here, even if it undercuts some of the drama (especially in the climax). There's a real epic feeling to the proceedings, and quite a few of the lyrical choices are just plain inspired.
An excellent album, especially anyone who loves musicals and/or old musical Disney flicks. Perhaps not for everyone, but something I can't stop listening to anyhow. Seek it out.
Forgive Durden - Meet the King (feat. Nic Newsham and Greta Salpeter) [
The Shadow of Razia: A Musical, 2008]
Forgive Durden - Doctor Doctor (feat. Shawn Harris) [
The Shadow of Razia: A Musical, 2008]
Forgive Durden - Holy the Sea (feat. John Gourley and Kris Anaya) [
The Shadow of Razia: A Musical, 2008]
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